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In 2025, fandom is complicated. Music is at nearly everyone's fingertips. Concert ticket prices are through the roof. Some fans take devotion to new extremes. What do we owe to the artists we love?

At a time when every news alert seems to deliver a seismic jolt about the world, these ads mostly touch on safe subjects we expect in Big Game commercials: Nostalgia. Comedy. Celebrities. Patriotism. Poignant humanism.

Protest requires people to take a stand and hold firm. Pop songs are designed to appeal across demographic lines. In music, as in the rest of the world, resistance takes place closer to the ground.

McMahon has a limited background in education, and a long career as a business executive. She'd be stepping into an agency the president hopes to dissolve.

The stadium-filling singer-songwriter's fourth album is full of finely detailed songs that expand his sound without sacrificing subtlety.

Farmers in California are trying to plant crops that don't require a lot of water. Some are turning to growing agave as a response to a warming state.

Lambert, who just put out her seventh album, Wildcard, has closed the gap between serious singer-songwriter and arena-rocking entertainer to become the most riveting country star of her generation.

At work: hardworking news journalists. At home: omnivorous fiction readers. We asked our colleagues what they've enjoyed most this year and here are the titles they shared.

Protomartyr lead singer and lyricist Joe Casey walks us through some of the thorny questions behind the band's new album, Relatives In Decent, track by track.

"I couldn't not speak about whiteness in my work," Garbus says of her new record as Tune-Yards. She breaks down the themes and self-examinations behind I Can Feel You Creep Into My Private Life.