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Pierce Brown's rip-roaring Romans-in-space series Red Rising seemed to come to a triumphant end with last year's Morning Star. But what was the cost of that triumph, and where will it lead?

Luis Alberto Urrea's The House of Broken Angels borrows from the story of his older brother, who died of cancer. He says the book went through a dramatic rewrite after Trump became president.

This new essay, edited by Ernest Drucker, argues that mass incarceration — more than 2 million Americans are locked up — tears at our social fabric and leaves people with no option but to reoffend.

Matt de la Peña's new children's book covers the good and the bad of everyday life. He says, "I had to be honest that there are going to be these things in life that are tough and that are dark."

Most stage and screen versions of Frankenstein are based on a later edition of Mary Shelley's classic — this new reprint of her original text shows the story growing and changing with its author.

Ana Simo's brash and unsettling debut novel straddles the line between pulp noir and slapstick; it's the story of a struggling writer who decides that murder is the cure for her decade-long block.

Ursula K. Le Guin's mastery of fiction has remained so consistent, it's easy to overlook her accomplishments in other forms — but her new nonfiction collection goes a long way towards fixing that.

From its first appearance, Star Trek has always been hopeful about the relationship between society and technology. Ethan Siegel doesn't lose sight of this in his book, Treknology, says Adam Frank.

Maude Julien's new memoir chronicles her extraordinary — and awful — childhood with fanatical parents determined to turn her into the ultimate survivor through deprivation, violence and endless tests.

"Even if you thought that this was not treasonous," the former chief strategist is quoted as saying of the Trump Tower meeting, "... you should have called the FBI immediately."