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Sarah Kuhn's new novel, about a Japanese American girl wrestling with her identity and her place in the world during a visit to Japan, is at once universally relatable and specifically Asian American.

This month, we're bringing you stories from around the world, featuring royals and regular boys and girls who risk it all for their happy ever after — from Vietnam to California to Scotland.

Elizabeth Gilbert's new novel is set in the New York theater community of the 1940s — an effervescent golden age for the women who congregate at the offbeat Lily Playhouse.

In Sara Collins' new novel, a former slave accused of murder recounts her life — but, as Frannie Langton herself says, no one expects a woman like her to tell her story, or for it to include joy.

The author says writing this novel was like writing an "anti-murder mystery." Murder mysteries are nice and tidy, she says, but this disturbing morality tale is about unforeseeable tragedy.

Inspired by the challenges to the current presidential administration, law professor Kim Wehle has written a guide to the founding document — and its susceptibility to interpretation.

The collection of 32 mostly previously published essays by New Yorker TV Critic Emily Nussbaum includes a new consideration of the question "What should we do with the art of terrible men?"

Ezra Claytan Daniels and Ben Passmore's new graphic novel is a comic-horror take on the very real problem of gentrification that follows two young artists moving to a struggling Chicago neighborhood.

"I felt like everything that had mattered to me was gone," Amber Scorah says of her decision to leave the Jehovah's Witness community she grew up in. Her new memoir is Leaving the Witness.

Emily Nussbaum's new book, I Like To Watch, is a collection of essays that span her career and the age of prestige TV. She wants to "explode and expand" the types of shows we take seriously, she says.